William Ayton

William AytonAdjunct Professor Emeritus

Contact Information

wayton@rwu.edu

Areas of Expertise

Music Theory & Composition, Music History, Non-Western Music and Culture

Education

D.M.A. Boston University M.M.E. New England Conservatory B.M.E. Shenandoah Conservatory

Will Ayton was born in 1948 in Kansu province, China, of missionary parents. He received a BME from Shenandoah Conservatory of Music, a MME from New England Conservatory of Music, and a DMA in Music Theory  and Composition from Boston University.  He has taught in public and private schools, and has been a professor of music at Roger Williams University since the late 1970鈥檚.  At Roger Williams, Will is the Music Departmnt鈥檚 primary instructor for music theory and composition. He has also taught private lessons, courses in music history, and specializes in courses dealing with non-western culture and music.  Will鈥檚 performing  instrument is the viola da gamba and he currently performs with with  鈥淭he Greybeards鈥 (a Baroque trio).  He is also a composer and has published music for a variety of musical media.

Will has been commissioned to compose for the Los Alamos Symphony Orchestra, Sine Nomine choral group, the University of North Carolina at Chapel Hill, and this University of Washington. Parthenia CDHis published works include compositions for viola da gamba, such as 鈥淎 Reliquary for William Blake,鈥 and 鈥淔ragments from Fitzwilliam,鈥 for plucked strings, including 鈥淭apestries for Guitar Quartet,鈥 鈥淭hree Movements for Mandolin and Guitar,鈥 and music for recorder ensembles. Will鈥檚 compositions have been performed internationally, and recorded by a variety of artists including Duetto Giocondo (Germany), the Santa Fe Guitar Quartet (Argentina), the New York Consort of Viols, and Parthenia (NYC) among others. Will has also written textbooks used in his theory courses, including 鈥淐omposing for Everyone,鈥  鈥淔undamental Structures in Music,鈥 鈥淔undamental Principles in Tonal Music Vol. I,鈥 鈥淔undamental Principles in Tonal Music Vol. II,鈥 Fundamental Principles in Tonal Music Vol. III,鈥